From Charles C.W. Cooke:
It just gets worse. Yesterday evening, I lamented the astonishing news that the American film industry was being dictated to by a bunch of North Korean hackers. At the time of writing, the following had happened:
First, Sony Pictures, which produced the film, canceled tomorrow’s inaugural showing. (“Security concerns,” natch.) Then the Carmike Cinemas chain, which owns 278 theaters in 41 states, announced that it would not be showing it at all. In the last few hours, the Hollywood Reporter has suggested, the other four giants of American cinema — Regal Entertainment, AMC Entertainment, Cinemark, and Cineplex Entertainment — elected to join in the boycott. And, finally, the studio pulled the December 25 release entirely
Now, per Reuters, Sony has pulled the whole thing:
Sony Pictures has canceled the release of a comedy on the fictional assassination of North Korea’s leader, in what appears to be an unprecedented victory for Pyongyang and its abilities to wage cyber-warfare.
Hackers who said they were incensed by the film attacked Sony Corp (6758.T) last month, leaking documents that drew global headlines and distributing unreleased films on the Internet.
Washington may soon officially announce that the North Korean government was behind the attack, a U.S. government source said.
This decision is not restricted to theaters:
“Sony has no further release plans for the film,” a Sony spokeswoman said on Wednesday when asked whether the movie would be released later in theaters or as video on demand.
In other words, a group of computer experts — which may or may not be backed by the North Korean government — has managed to convince a major American industry to write off a $44 million investment because . . . they don’t like some of its jokes. How utterly grotesque. How shameful. How antithetical to all of those principles for which the people of the United States are supposed to stand.
Worse still, those hackers have managed to convince Hollywood to cancel future projects, too. Deadline Hollywood reports:
The chilling effect of the Sony Pictures hack and terrorist threats against The Interview are reverberating. New Regency has scrapped another project that was to be set in North Korea. The untitled thriller, set up in October, was being developed by director Gore Verbinski as a star vehicle for Foxcatcher star Steve Carell. The paranoid thriller written by Steve Conrad was going to start production in March. Insiders tell me that under the current circumstances, it just makes no sense to move forward. The location won’t be transplanted. Fox declined to distribute it, per a spokesman.
If this is to be our approach, why not formalize the arrangement and run every script idea past our enemies before production starts? In fact, why not submit all creative speech to the roving gangs of outrage merchants and armed hecklers to which our appeasement is granting hope? I daresay that most books, movies, newspapers, television shows, and websites contain material that someone doesn’t like. Why not include them in the party, too? Sure, by the time that an idea has been scrutinized by Tehran, Moscow, and the University of Berkeley it will probably have been stripped of all its charm. But we wouldn’t want anybody to be upset, would we?
I’ve heard people arguing that this reflects “only on Sony.” But it doesn’t, really. It reflects on the many, many theater chains that canceled their screenings. It reflects upon a general corporate culture that is just too damn risk averse. And it reflects upon the zeitgeist, within which caving to pressure from the “offended” has become the unlovely norm. We are now reaching a point at which no college commencement speaker is permitted to do his thing unless he has been neutered, read whatever catechism is en vogue this week, and then had his entire past vetted by the most boring, self-indulgent, ignorant people in the world. George Will wasn’t allowed to speak at Scripps because a few of its students objected to a column he’d written in a newspaper. What exactly did we think was going to happen when the censors threatened to turn up with guns?
America doesn’t feel very free, or very brave, today.